Saint-George was one of the most
talented composers of African descent in the history of classical
music, along with England's Samuel Coleridge
(1875-1912) and America's William Grant Still
(1895-1978).

In 1774, Saint-George's father died, leaving him without an annuity.
In order to support himself, he began publishing a great deal of
music, much of which featured the violin. Among these works were
two sets of string quartets (a genre rarely practiced in France
at that early date), a dozen violin concertos, and at least ten
symphonies concertantes.
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| Operas
& Ballets: |
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L´Amant Anonyme (Presto) (1780) |
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L´Amant Anonyme (Contredanse) (1780) |
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L´Amant Anonyme (Ballet#6) (1780) |
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| Concerting
Quatuors (String Quartets): |
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Concerto #4 for violin in D Major (1774)
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Concerto in C Major, Op.3 (1774) |
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Concerto in C Major, Op.5 (1775) |
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Concerto in G Major, Op.8 (1780) |
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Concerto in B Flat Major, Op.7 (1782) |
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| Symphonies: |
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Symphony in G Major, op. 11, no. 1 (1779) |
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Symphony in G Major, op. 11, no. 2 (1779) |
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Symphony in D Major, op. 12, no.1 (1782)
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Buy CDs, Sheet Music
SHOP >> |
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We invite you to listen to a
radio
program dedicated to Saint-Georges produced by WILLfm-90.9
in Illinois, "classically black”, hosted by Roger
Cooper.
Historians believe that scores of Saint-George’s music were
destroyed during the re-institution of slavery in France early
in the 19th century.
A handful of musicians or historians have dedicated their energy
in the analysis of the major black composers in classical music.
Among them: Gabriel Banat (who won a Grammy Award in 1996
for best Historical production), Dominique
Rene de Lerma , and Rachel
Barton. |