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Saint-George was one of the most talented composers of African descent in the history of classical music, along with England's Samuel Coleridge (1875-1912) and America's William Grant Still (1895-1978).

In 1774, Saint-George's father died, leaving him without an annuity. In order to support himself, he began publishing a great deal of music, much of which featured the violin. Among these works were two sets of string quartets (a genre rarely practiced in France at that early date), a dozen violin concertos, and at least ten symphonies concertantes.

 
Operas & Ballets:
L´Amant Anonyme (Presto) (1780)
L´Amant Anonyme (Contredanse) (1780)
L´Amant Anonyme (Ballet#6) (1780)
   
Concerting Quatuors (String Quartets):
Concerto #4 for violin in D Major (1774)
Concerto in C Major, Op.3 (1774)
Concerto in C Major, Op.5 (1775)
Concerto in G Major, Op.8 (1780)
Concerto in B Flat Major, Op.7 (1782)
   
Symphonies:
Symphony in G Major, op. 11, no. 1 (1779)
Symphony in G Major, op. 11, no. 2 (1779)
Symphony in D Major, op. 12, no.1 (1782)
   

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We invite you to listen to a radio program dedicated to Saint-Georges produced by WILLfm-90.9 in Illinois, "classically black”, hosted by Roger Cooper.

Historians believe that scores of Saint-George’s music were destroyed during the re-institution of slavery in France early in the 19th century.

A handful of musicians or historians have dedicated their energy in the analysis of the major black composers in classical music. Among them: Gabriel Banat (who won a Grammy Award in 1996 for best Historical production), Dominique Rene de Lerma , and Rachel Barton.